So the last few weeks have been epically busy. Threepenny Opera has come up to Nottingham Playhouse, we’ve had a very long tech week and a great press night and opening week. We have had the fortune of getting some amazing reviews as well. It is lovely and extremely fulfilling to be part of a show that is being received well. That being said, we have had some very… strange responses from our audiences.
I think when one is trained in theatre, particularly musical theatre, music theatre and (to a certain degree) opera, you get use to having some kind of audience reaction. In particular, after a musical number, one learns to expect at least some polite applause. And with this show, I mean for goodness sake, the music is extremely challenging, and some of the songs are really freakin’ catchy. In short, we’re working our asses off to keep this show entertaining… so why aren’t people applauding?
This was our reaction after Saturday’s matinee and evening performances. Both had very little audience reaction during the show, and then very strong and enthusiastic applause in the curtain call. Along with this, there are some very funny lines in the piece that have previously gotten laughs that weren’t yesterday… All the while, the cast had felt that we had done strong performances. The dialogue was well paced, the singing was strong, the band played well, etc. We chalked it up to weird audiences… then we went to the bar and had a chat with a few people who had seen the show.
Apparently people wanted to laugh, to applaud and react. They didn’t because of the subject matter. Yes, Mack the Knife is a catchy and well known song, but it is about a man who rapes and murders people. “He’s a sadist, he’s a rapist and they haven’t caught him yet!” is the final lyric. And yes, there is a lot of dry humor in the piece, but it is around very serious political and social issues. People that we spoke to said that they felt by laughing, clapping and otherwise having a good time they would be somehow condoning the horrible things that happen in the story.
They also said that they were “stunned” for most of the play, particularly in the first act which does hit you a bit like a sledge hammer after our pre-show antics. People were busy analyzing the large amount of intellectual and sensory information they were receiving, which left less space in their minds to be “entertained”. In this sense, our show is “stunning” in a much more literal way than one may usually use that phrase in relation to art. People watching it apparently couldn’t move!
Add to that the fact that a large majority of the audience is probably not use to seeing disabled actors on stage… disabled actors who are often cracking jokes in and around disability politics that might leave people unsure of the PC way to respond… there is a hell of a lot to take in with this piece.
That or they thought we were shit and were being nice… ha! (I don’t really think that is true. The responses were very enthusiastic, articulate and thought out, which is hard to simulate when lying)
It makes me think that we would be doing Brecht proud with this version of his show. We’ve made people think, feel disgusted by the way of the world and wish for change. They spend the whole piece not knowing what is coming, so they can’t engage with the story in order to just be “entertained”. In fact, most people have said things like, “I don’t think I could call this piece enjoyable. It’s hard to watch, but it’s a fantastic show.” This must be what Brecht’s V-effect (distentiation, estrangement effect, whatever you want to call it) is suppose to do.
As actors, it is important for us to remember that we are not doing a standard musical piece, which means we won’t get standard audience responses. It’s very easy to think that little or no audience responses = shit show, which can be damaging to the moral of a cast and a piece. With this one, I think it’s best we stay strong, trust the piece we have, and keep on working our asses off. We’re certainly having a blast, which always helps!
That being said, if any of you come and want to clap, laugh and cheer, you are more than welcome… none of us will think you’re condoning rape or murder if you do!
There is one more week of Threepenny at the Nottingham Playhouse. We close here on the 8th of March and then move to the New Wolsey Ipswich from March 11th-22nd. After that we have Birmingham and Leeds to look forward to! Full tour information is here: http://www.graeae.org/productions/the-threepenny-opera/